
Vallayer was very popular, and although she was a beauty her popularity rose from her clear artistic talent. At this point she mainly focused on her still-life paintings. They were beautiful and market-able. But brighter commissions soon followed!
In the summer of 1779 comte d'Angiviller gave her a commission for a full portrait of Madame Sophie. For that she was to receive 6,000 livres!
According to Roland Michel there is a painting in the Walters Art Museum in Baltimore that is 'signed' by Vallayer and dated 1778. It is a small portrait of Marie Antoinette. It has been thought to be a 19th century copy of an original lost to time, but either way it is believable. Apparently in 1779
"Have you ever been done in pastels?" "No, I don't travel much."
She also did portraits of the Kings other aunts; Madame Victorie and Madame Adelaide. These royal commissions were an artists key to fame and fortune. If today's artist wants to show paintings in NYC galleries, the 18th century artist wanted their paintings on the walls of Versailles. Vallayer-Coster was also fortunate enough to survive the Revolution. Not only did she survive but so did her career. In 1804 she had a commission by Josephine!
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